I’m the Colour of Honey is a story by Maïmouna Jallow , a storyteller and media consultant based in Nairobi, Kenya. She is the co-founder of Positively African , an arts and media company, and the curator of Re-Imagined Series—a project aimed at adapting folktales and novels for contemporary audiences. In 2016, she launched The Nairobi Storytelling Festival . The illustrations, by Caroline Faysse, are tasteful and aesthetically pleasing to both children and adults alike. The book design and editing were done by Charné Casey and Alison Ziki, respectively. I’m the Colour of Honey is published by Book Dash . Ages 2-5 | 18 Pages What to expect ? Self-love, Self-identity, Self-acceptance, Love, Family I’m the Colour of Honey is a story about a little girl, Amanda , who recounts how she views herself and her parents as well as how society makes her feel as a biracial girl. Amanda also explains how these experiences made her struggle with her self-identity and how her parents’ love eventually made her realize and love her uniqueness.  This book outlines the major role society and family play in determining a child’s self-perception and self-identity. In Amanda’s case, people kept pointing out how different she looked, especially from her parents, despite her constantly correcting their wrong assumption of her parents’ identity.  “When we go out some people stare at us, or ask us lots of questions.” “Is that your Teacher?” asks the man in the park. No! It’s my Daddy! “Is that your Aunty?” asks the woman at the store. No! It’s my Mummy! “But your Daddy is like a night sky,” says the woman at the store. “And your Mummy is as white as the blank pages in a book,” says the man in the park. This continued to the point where Amanda felt the need to imitate her parents’ looks in order to fit in and, in a way, be accepted by society. “…The next day I wrap a towel on my head and swing it around just like Mummy does with her hair.”  “…I run home and get some black paint. I smear it on my face.” It took Amanda’s parents’ love to destroy the box society was trying to put her in and make her see and celebrate her differences.  “Why don’t I look like you, mummy and daddy?”  “Amanda, show me that smile, that’s just like your Daddy’s.” I don’t feel like smiling. “Come on Amanda, look at your dimple. It’s so pretty, just like your Mummy’s! This, in effect, shaped her confidence and self-love.  “Mummy and Daddy make me smile. And I make them smile too! Look!” I say, my teeth are white, just like yours.” “Yes, and your heart is red, just like ours.” This book teaches children, particularly children from interracial or multicultural backgrounds, how they can learn to love and accept themselves in a society that might try to bog them down, despite their best efforts. Review by Edwina N.K Quarcoo.

Redefining African Children's Literature: A Look into the World of Literary Prizes and Awards in Africa The African children's book industry has always been overlooked and undervalued. Despite the critical role that literature plays in shaping young minds and preserving cultural heritage, African children's books have struggled to gain the visibility and recognition they deserve. But like all great tales, there was a glimmer of hope. The rise of literary prizes brought a new chapter to the industry, recognizing and rewarding the hard work of authors, illustrators, publishers, and other industry actors. However, the current state of literary prizes in Africa is cause for concern, as they face several challenges. This article will explore the importance of literary prizes in promoting African children's literature, while also unpacking their challenges and potential solutions. Why are  Literary Prizes important for Children Book actors in Africa: Literary prizes play a crucial role in legitimizing African children's books in the eyes of the wider world. With negative stereotypes surrounding African literature, the credibility that comes with a literary prize is essential in proving that African literature is both relevant and of high quality. Furthermore, literary prizes provide visibility for African children's books , helping to promote them to a wider audience. This exposure can be transformative, not only for individual authors and illustrators, but for the industry as a whole. In addition, literary prizes play a critical role in preserving African cultural heritage. By recognizing and celebrating African children's books, literary prizes help to ensure that the stories, traditions, and values of the continent are not lost to history. State of Literary Prizes for Children Book actors in Africa The current state of literary prizes and awards for African children's book authors, illustrators, publishers, and other industry actors is a mixed bag. On one hand, there are a few notable prizes that have gained significant traction and recognition over the years. The Golden Baobab Prize, founded in 2008, has been a beacon of hope for African children's book authors and illustrators. The prize recognizes and rewards the best African children's book manuscripts and illustrations, and has helped to promote the work of many talented authors and illustrators across the continent. Other notable prizes include the CODE Burt Award for African Young Adult Literature , which recognizes outstanding young adult books written by African authors, and the Children's Africana Book Awards, which recognize the best African children's books that promote an understanding of African culture and history. However, many African literary prizes and awards for children's books suffer from a lack of funding, low publicity, and poor organization. This lack of support often leads to a lack of sustainability and continuity, with many prizes not continuing beyond a few years. This is a missed opportunity, as literary prizes are crucial in promoting and sustaining the African children's book industry. To address these challenges, it is important to invest in the industry, provide adequate funding and resources, and establish clear criteria and consistent judging standards. In addition to investing in the industry and providing adequate funding and resources, Muna Kalati, is currently developing databases of literary prizes in Africa amongst other databases necessary for the children book industry. If you are interested in partnering with us, please reach out to us. In conclusion, literary prizes are a vital part of the African children's book industry, recognizing and rewarding the hard work of authors, illustrators, publishers, and other industry actors. They play a critical role in promoting African children's literature, while also preserving African cultural heritage. However, the current state of literary prizes in Africa is facing several challenges. It is important for stakeholders to invest in the industry, provide adequate funding and resources, and establish clear criteria and consistent judging standards to ensure the continued success of literary prizes and the African children's book industry as a whole. Just like any great story, the African children's book industry has its ups and downs, but with the right support and resources, it has the potential to reach new heights and captivate audiences around the world.

Tales of El Hadji Leeboon is a book that brings together stories as rich as each other in life lessons. This work is the result of the collaboration of a storyteller by his artist name El Hadji Leeboon, and the illustrator Sophie Le Hire. This collection of text contains six (06) tales written with great simplicity, which makes the stories understandable at first contact. The particularity of these texts lies in the ability of the author to transport the reader on his imaginary journey. The more you turn the pages of the book, the more you almost feel like a full-fledged character; but also we discover different worlds when we go from one tale to another.Suddenly, this effect gives even more charm to this work so that, when you finish reading it, you want more... (at the same time, everything has an end). However, before getting to the heart of the matter, let's first take a look at the paratext in order to get a first idea of ​​what the author has in store for us. Commentary on the paratext - At first glance, we observe a predominance of the color green and its variants. This color evoking nature, seems to be chosen on purpose because, in the book, most of the scenes occur in the open air with the presence of animals such as we can see a sample of poultry on this frame. These poultry, let us notice, are placed on the branches of a tree whose leaves seem to be in full bloom; which branches hug the frame of the front cover. A little further down the branches, one can notice the face of a young boy, his gaze fixed on the sky, seeming to appreciate the marvel which is above his head. This strong presence of the color green could also testify to the author's attachment to the protection of the environment, hence,the existence of a tale with a close link to this current issue. Following the analysis of the front cover, it is now possible to enter the universe of tales of El Hadji Leeboon .  Content Journey The first tale is the story of a domestic dog ( Oze ) who meets a jackal following an escapade. Oze , driven by curiosity to discover new places other than his mistress's home, takes advantage of the caretaker's inattention to sneak out of the barrier. This getaway turned out to be an opportunity for Oze to confront his life with that of animals that can be called wild. In a discussion, in turn, the two characters define what freedom is according to their posture. for oze , it is the fact of having a mistress who takes care of him. As for the jackal, it is the fact of not belonging to anyone, of feeding according to his desires.Let us note at this level that, before their meeting, the two animals jointly complained about the life led by the other. As we can see, the conception of freedom of the two characters is different. Which of the two is right? it cannot be determined since it is everyone who constructs the semantic charge of their freedom. What we can also remember is that, if we transpose this situation to the education of children, it is important to give them enough freedom so that they can learn about other places and ensure easy adaptation. Because, the partitioning limits the domination of its space, The second tale is that of Bardou and Bara , these two friends whose sincerity was known to all. Except that in reality, this sincerity was not the thing best shared by Bara who, on many occasions, had been disloyal. That had hardly prevented Bardou from considering her as his friend, his brother. This veil that he had placed over his eyes will soon fall when these two friends will decide to submit to the teachings of a wise man named Baye, who will end up unmasking Bara's hypocrisy by using an exercise to verify the sincerity of the two friends. This exercise consisted in entering a box each with a bag in order to put objects there to offer to his friend. Bardou fills it with precious stones and bara in turn with pebbles.From there, Bara is unmasked. This story is a warning sound to vigilance, to mistrust. And we remember what founds friendship, it is actions and words. Which acts are the measure of the sincerity of a friendship. Bardou could have realized it since, given that Bara was not on his first try. Maybe he lacked courage? The allusion to courage allows us to engage on the next story, the title of which is Samba and the caiman . This is the story of a brave little boy, Samba, who was to be given as a sacrifice with other children, to a caiman who lived in the village river, in exchange for rain. In order to put an end to the sacrifices perpetrated in his village, he ends up taking the life of this caiman which, according to the beliefs of this village, was holding back the rains. After the death of this caiman, there were abundant rains. This story highlights the bravery of a young Samba boy, who was able to positively change the course of things in his village. Samba in this sense, is a hero likely to inspire more than one, to make revolutionaries.Revolution or change does not always bring good as seen in Ker Yaadikkόon village. Ker Yaadikkόon is a village that depended on a baobab tree. This tree was in a way the founding element of the village. Here lived a couple whose descendants did not last long. In order to dismiss fate, the inhabitants of this village addressed prayers to the baobab so that this couple could give birth. It was. So in order to dismiss fate, this couple decided to give the name of Yaadikkόon to their little girl who had managed to live longer than her brothers, and had reached adulthood. Unfortunately, his death warrant was signed when a stranger entered the village. He intended to introduce the young people of the village to football. According to him, to have more space, it was necessary to cut down the baobab.He managed to convince the young people of the village who ended up doing it, going against the disagreement of the elders and Yaadikkόon. Since this tree was at the origin of the formation of this village, putting an end to its life represented a calamity and would lead to a catastrophe: the complete destruction of Ker Yaadikkόon.  This story carries a strong moral which is that of the protection of nature and respect for the elders. This is all the more true since if the young people had honored the decision of the elders, they would not have found themselves in search of shelter. In reality, this baobab protected the village and provided shelter for its inhabitants. At this level, the author puts his finger on two values ​​in the process of being lost with the advent of modernity. In this case, this tale is worthy of interest for the new generation so that it realizes that everyone is a part of nature, to destroy it is to put an end de facto to our existence. In another measure, listening to the advice of the elders is beneficial for the younger generation, which is why we need them to hold our hands. Didn't Amadou Hampâté Bâ say on this subject “when an old man dies, a library burns down”? Among other values ​​in perdition we mention the taste for work which is the moral of the following story: The King with the Silver Cane . The King with the Silver Cane , is the story of a Senegalese king (Damel) who was renowned for the victories he accumulated on the battlefield. The secret to his victories lay in training and his silver cane. When he passed from life to death, his son took over, and inherited the attributes of power, including the silver cane. Notoriously lazy, he already considered himself victorious since he only had to make a wish with the cane for it to come true. Along the way, the deception was discovered when one of his adversaries, in collusion with one of his soldiers, stole his magic cane. At this moment, he amassed only failures, and shame. Its true value was on full display. By force of circumstances, he will end up recovering his cane with the help of his loyal soldiers, the only ones he has left. Buried by a reputation for being lazy and cowardly, he became the laughingstock of the whole country and he ended up formulating a wish to make everyone on the battlefield disappear, forgetting that he himself was among the men of this space. This is how he himself lost his life in the midst of other men who laughed at him. Nevertheless he had a survivor: the griot who was on the battlefield had been spared. This tale teaches use three things: Nevertheless he had a survivor: the griot who was on the battlefield had been spared. This tale teaches us three things: Nevertheless he had a survivor: the griot who was on the battlefield had been spared. This tale teaches us three things: 1- Nothing is acquired, it is only work that determines the value of everyone 2- The truth always ends up triumphing 3- The griot has a very important role in the transmission of wisdom to new generations through the popular imagination. Of the same caliber as the previous one, Tuduma Lambaay the snake is a tale that carries just as many values. Tuduma Lambaay the snake , is the story of a village that lived in terror because of a snake that kept stalking around its inhabitants. During a rally, he had slipped through the assistance which created a great carnage, and led to the pursuit of Tuduma Lambaay the snake. Endowed with cunning, this one makes the proposal to a hunter, to hide in his belly and to come out once the danger has passed. Note that this hunter had been looking for game for many hours. This is how the hunter made a deal with the serpent. But once the danger was over, the snake refused to come out of the hunter's belly. Worried for his life, the hunter began to lament. A heron perched on a tree heard him, offered to help him. Which he did by retrieving the serpent and consuming it. But, since the hunter had not been able to catch any game, he squeezed the heron with all his might by the legs in full flight, and brought it home for his wife to make a feast of it. The heron, holding on to life, began to tell his misadventure to the hunter's wife. Finally he was released by her. But he did not fly away with his hands, or rather his beak free He took his eye with him. This story reveals to us that we shouldn't give our trust easily otherwise we risk being disappointed like all the characters in this tale. When you think about it, if the snake hadn't tricked the old man, he would have kept his life. Also, if the old man hadn't wanted to harm the life of the heron who saved his, his wife would never have lost her eye. Like what we sow what we reap. Bad deeds, like good ones, backfire. be disappointed like all the characters in this tale. When you think about it, if the snake hadn't tricked the old man, he would have kept his life. Also, if the old man hadn't wanted to harm the life of the heron who saved his, his wife would never have lost her eye. Like what we sow what we reap. Bad deeds, like good ones, backfire. be disappointed like all the characters in this tale. When you think about it, if the snake hadn't tricked the old man, he would have kept his life. Also, if the old man hadn't wanted to harm the life of the heron who saved his, his wife would never have lost his eye. Like what we sow what we reap. Bad deeds, like good ones, backfire. All in all, we remember that The Tales of El Hadji Leeboon is a text that should be kept at your bedside regardless of age. We learn every day, don't we say that? This work gives everyone the opportunity to better understand this school called life. For young readers, this book, full of wisdom, will give them the tools to succeed in life.

Peggy Oppong Peggy Oppong, the pen name for Margaret Safo, was a highly accomplished writer renowned for her captivating romantic fiction novels. With a strong educational background in English and Russian languages, Peggy Oppong held a BA (Hons) degree from the University of Ghana, Legon. Additionally, she possessed an MPhil in communication studies from the same university. Throughout her writing career, Peggy Oppong penned numerous engaging novels that captivated readers with their heartfelt stories and memorable characters. Notable Works: Beneath the Cover Crocodiles in the Pillows Echoes from the Past End of the Tunnel Julia's Dance Laali Saves the King No Roses for Sharon The Adventures of Cleopas The Angel of Death The Black Heel: A Terrifying Betrayal The Dancing Money Box The Green Sunset The Lady Who Refused to Bow The Last Wish The Lemon Suitcase The Little Blue Bell The Red Heifer The Red Shoes The Shark The Silver Spoon: Sequel to The End of the Tunnel Margaret Safo, known as Peggy Oppong, was married to Kojo Safo, a supportive husband who played a significant role in her life and writing career. They shared a loving family and were blessed with four children. Peggy Oppong, the pseudonym for Margaret Safo, was a talented writer known for her captivating fiction novels. With a strong educational background and a passion for storytelling, she created a collection of engaging works that resonated with readers. Peggy Oppong's novels explored themes of determination, love, self-discovery, and personal growth, leaving a lasting impact on her audience. For more information or inquiries, please reach out to Peggy Oppong through the provided contact details. Contact Information: - Email: info@peggyoppongbooks.com - Phone: 0265119097 / 0244738340

e-Ananse Library e-Ananse Library is a pioneering public library that embraces Ghanaian, black, and African culture, with a mission to rejuvenate the reading and storytelling traditions in Ghana. With three locations in Accra, e-Ananse Library aims to improve literacy rates and provide young people with access to contemporary and high-quality literature. Each library is a vibrant hub, offering a diverse collection of African writers' works, state-of-the-art technology facilities, and engaging live events literature, all in celebration of Ghana's African heritage. Library Features: Ananse Amphitheater:    - A captivating live literature space hosting staged readings and book club discussions.    - Brings stories to life and fosters a sense of community engagement through storytelling. African-Inspired Library:    - Showcases a rich collection of African and Ghanaian literature.    - Includes traditional stories, classic works, and contemporary pieces.    - Celebrates the richness and diversity of African literary heritage. iHub (Smart Technology Hub):    - Provides access to cutting-edge IT facilities and online literary resources.    - Enables library members to explore a world of digital literature and enhance their literacy skills. Library Locations: Airport West, Opposite Bayport Financial Service, Dzorwulu Babynest, University of Ghana AMA Complex, Accra Central Contact information: East Legon:    - Address: Near Green Pepper, By Ivy Apartment    - Phone: +233 54 454 9152    - Email: info@eananse.com AMA City Hall, Central Accra:    - Address: Accra Central    - Phone: +233 55 824 6336    - Email: info@eananse.com e-Ananse Library is a groundbreaking initiative that embraces Ghanaian, black, and African culture to reinvigorate Ghana's reading and storytelling traditions. With its three vibrant locations in Accra, the library offers a rich collection of literature by African writers, cutting-edge technology facilities through the iHub, and an engaging Ananse Amphitheater for live literature events. By celebrating African and Ghanaian heritage, e-Ananse Library serves as a catalyst for improved literacy and provides young people with access to high-quality, contemporary literature. Visit one of their locations to experience the magic of e-Ananse Library firsthand.

International Board on Books for Young People (IBBY) The International Board on Books for Young People (IBBY) is a non-profit organization that serves as a global network of individuals dedicated to promoting children's books and fostering a strong connection between books and children worldwide. IBBY aims to encourage international understanding through high literary and artistic standards in children's literature. It strives to provide children everywhere with access to quality books, particularly in developing countries. Furthermore, IBBY supports and trains individuals involved in children and children's literature, stimulates research in the field, and upholds the rights of children according to the UN Convention on the Rights of the Child. Assignment: - Promote international understanding through children's books. - Ensure children worldwide have access to books of high literary and artistic standards. - Encourage the publication and distribution of quality children's books, especially in developing countries. - Provide support and training to individuals engaged with children and children's literature. - Stimulate research and scholarly works in the field of children's literature. - Uphold the Rights of the Child as per the UN Convention on the Rights of the Child. IBBY Organization: - Founded in Zürich, Switzerland, in 1953. - Composed of 80 National Sections around the world. - Represents countries with well-established book publishing and literacy programs, as well as countries with pioneering professionals in children's book publishing and promotion. - Membership includes authors, illustrators, publishers, editors, translators, journalists, critics, teachers, professors, students, librarians, booksellers, social workers, and parents. - National Sections operate on national, regional, and international levels, with various organizational structures. - IBBY's policies and programs are determined by the Executive Committee and President, elected biennially by the National Sections. - The Secretariat in Basel, Switzerland, manages IBBY's daily affairs. - Annual due from National Sections form the primary source of regular income for IBBY, with additional support from independent financing, public and private donations. - IBBY holds an official status in UNESCO and UNICEF, contributing to policy-making and advocacy efforts for children's books. - Collaborates with international organizations and children's book institutions worldwide, participating in international book fairs. Awards and Activities: - Hans Christian Andersen Award: Prestigious biennial award honoring an author and an illustrator whose complete works have made a lasting contribution to children's literature. - IBBY-Asahi Reading Promotion Award: Biennial award recognizing a group or institution's enduring contribution to reading promotion programs. - IBBY-iRead Outstanding Reading Promoter Award: Award introduced in 2020, acknowledging outstanding individuals working to promote children's reading expansion and development. - Honor List: Biennial publication recommending outstanding works for children by notable writers, illustrators, and translators from IBBY's National Sections. - International Children's Book Day: Celebrated annually during the first week of April, promoting a love for reading and raising awareness of children's books. - IBBY-Yamada Fund: Supports reading promotion projects, library establishment, training for teachers, librarians, parents, and workshops for writers, illustrators, and editors of children's books. - IBBY Children in Crisis Fund: Established in 2005, provides assistance to children affected by natural disasters, civil disorder, or war, including the creation of libraries and therapeutic use of books. - IBBY Collections: Various collections of children's books, including the IBBY Collection of Books for Young People with Disabilities in Toronto, the Silent Books collection (wordless books) developed for refugees, and virtual collections such as Children's Books in Europe and Books for Africa/Books from Africa. Contact Information: - Address: Nonnenweg 12, CH-4055 Basel, Switzerland - Telephone: +41 61 272 29 17 - Fax: +41 61 272 27 57 - Email: ibby@ibby.org - Website: https://www.ibby.org/ IBBY, the International Board on Books for Young People, is a non-profit organization that connects individuals worldwide to promote the integration of children and books. With a mission to foster international understanding through high-quality children's literature, IBBY advocates for access to books of literary and artistic excellence for children everywhere. Through collaborations, awards, and projects, IBBY encourages the publication, distribution, and promotion of outstanding children's books while upholding the rights of children as per the UN Convention on the Rights of the Child. With its global presence and dedication to fostering a love for reading, IBBY plays a crucial role in shaping the world of children's literature.

Can you tell us a bit about your background and what led you to become interested in Black children's literature and folklore?  What inspired you to become a storyteller and how does storytelling play a role in your work with African American Studies? Can you share with us some of the challenges you've faced in your research and work with Black children's literature and folklore, and how you have addressed them?  You have been a Fulbright scholar/lecturer at the University of Cape Coast in Ghana. Can you tell us about your experience there and how it has influenced your work?  What do you believe is the importance of diversifying children's literature and ensuring that Black voices and stories are represented?  In your opinion, how can we better support and promote Black children's literature and folklore, both in academic and community settings?  You are a commissioner for the Columbia Museum of Art and an active docent. Can you tell us about your involvement with the museum and how it relates to your work with African American Studies?  Finally, can you recommend any books or resources for our audience to learn more about Black children's literature and folklore?

Children's Book Writing Workshop during the Accra World Book Capital 023-2024 Reserve your appointment now! Welcome to the Children's Book Writing Workshop, a prestigious literary event taking place during the Accra World Book Capital from April 2023 to April 2024. Organized by Muna Kalati, a renowned literary organization in Ghana, in partnership with the Ghana Books Development Council, this workshop offers a unique opportunity for students to cultivate their writing and illustrating skills and showcase their creativity to the world. Objective: The workshop aims to equip children aged 8 to 14 years with the skills and knowledge to develop their writing and illustrating talents, promote their work during the World Book Capital, and encourage creative expression. It also aims to promote the literary culture in Ghana and showcase the talents of Ghanaian children globally. Workshop Details: D uration: Four weeks, with sessions held for four days every week during the vacation period. T opics Covered: Introduction to Writing and Illustration (1 week) Writing and Illustration (1 week) Writing and Illustration Plans (1 week) Finalizing Writing and Illustration Projects (1 week) Each cohort limited to 50 students. Cost per student: $50. B enefits for Partnering Schools: Increased visibility and recognition as a school that promotes literacy and creative writing. Opportunity to showcase the school to the world. 20% discount for each registered student. Four weeks (16 sessions) of intense coaching with an additional week of free consultation services. Instructional guide and writing kits. One-month access to Youscribe. Student stories may be published in Muna Kalati Magazine and showcased during the AWBC. Free (Twi or Ga), and English vocabulary catalog. We invite schools to partner with us by hosting the workshop on their premises. By doing so, schools will receive a 20% discount for each registered student and gain valuable publicity. The entire workshop will be documented, further enhancing the school's visibility. Join us in providing your students with a unique opportunity to develop their writing and illustrating talents and promote their work to the world. To inquire and register your school, please contact us at p rograms@munakalati.org . We look forward to collaborating with you to make this workshop a resounding success.

Click on the link for more information MK Ambassador Program Muna Kalati's ambassador program. Background Muna Kalati is an association working to promote reading for African children. More than ever, the Association would like to extend its actions and vision to every corner of the world in general, and Africa in particular. Children's books are not widely available on the continent. Unfortunately, many parents are still strangers to them. Nevertheless, although others are aware of this, the problem of access to children's books remains acute. But the right message needs to spread like wildfire to African parents in every corner of Africa and the world. The Muna Kalati Association, therefore, needs ambassadors who share its overall vision for the democratization of books and reading. To this end, it is a question, among other things, of making children's books accessible to all and making reading a common, everyday practice among children. Target audience : This program is aimed at men and women aged 18 to 35. Program duration: 03 months Eligibility requirements: To be a Muna Kalati ambassador, you must meet the following conditions: Be an opinion leader in your community, with an interest in the education of children and young adults. Be a fervent advocate of children's education through reading. Be motivated by a desire to promote African culture, education and identity. Be an enthusiastic promoter of children's education and young people's reading. be an advocate of Muna kalati's activities. Be proactive, dynamic and results-oriented. Program activities 1 Information and orientation session for the 2023 cohort 3 Training sessions on advocacy and management of educational projects for young people and children. Conduct a field survey in a location where access to education for children is problematic. Produce an article on the need to help children in the area, proposing concrete ideas. Conduct collective advocacy on social networks on the importance of reading for children. Our ambassadors' expectations Produce a quarterly report on your achievements in promoting reading and books among children and young people in your community. Organize at least two concrete activities to promote reading among toddlers in your community. Benefits of becoming a Muna Kalati Ambassador Be part of the Muna Kalati database of contacts in the field of early reading to benefit from privileged access to employment opportunities and consultations with Muna Kalati and its partners. Receive quarterly training sessions from Muna Kalati. Opportunity to participate in MK programs such as MK Talk, Reading for Healing. Receive quarterly training sessions from Muna Kalati Opportunity to participate in MK programs such as MK Talk, Reading for Healing, Reading for Pleasure, Un Orphelinat, Une Bibliothèque etc. Strengthen CV and receive a letter of recommendation from Muna Kalati, if required. The opportunity to represent the Muna Kalati Association at various events in your country or region. Strengthen your work with new connections, skills and ideas Increased visibility through the dissemination of your actions on social networks; your activity reports will be published with your name on the MK platform. Opportunity to publish on MK and other international platforms. How to apply. It's easy to apply: 1-Send your cover letter (no more than 1 page) 2-Send your CV in PDF format to engagement@munakalati.org and cc: programs@munakalati.org and elongue@munakalati.org Applications are accepted throughout the year.

Volunteer with Muna Kalati and Make a Difference in the World of Children's Literature! Welcome to Muna Kalati, a dynamic organization dedicated to promoting diversity, equity, and inclusivity in the cultural news ecosystem, with a particular focus on the children's book industry. Since our establishment in 2017, we have been working tirelessly to provide access to culturally-relevant resources and information on children's books, fostering intercultural communication and improving literacy among children and families in Africa. At Muna Kalati, our mission is to foster diversity, equity, and inclusivity in the global cultural landscape, with a focus on the children's book industry. We are dedicated to promoting African children's literature and empowering young readers by providing access to culturally-relevant resources and information. Through our digital platforms, publishing services, advocacy campaigns, and workshops, we strive to facilitate intercultural communication, improve literacy, and inspire children to become global citizens and changemakers. We are committed to reducing ethnocentrism, eurocentrism, and stereotypes by promoting diverse books and fostering international understanding in an increasingly complex society. Our vision is to create a vibrant and inclusive world of children's literature where every child has access to diverse and engaging books that reflect their realities and nurture their imaginations. We aim to breathe life into children's books and make them an integral part of young people's lives. With our passion for the African children's book industry, our commitment to fairness, integrity, and support, and our belief in the power of diversity, we strive to promote African video games and reading pleasure. Through research and collaboration, we seek to enhance the visibility of video game industry players in Africa, contribute to the legitimization of children's books, and foster the growth and development of the video game ecosystem in Africa. Volunteer Opportunities We are currently seeking passionate volunteers to join our team and contribute their skills and expertise to further our mission. By becoming a volunteer with Muna Kalati, you will have the opportunity to make a positive impact on children's literature, promote African and black voices, and empower young readers to become global citizens and changemakers. Here are some exciting volunteer positions available: Content Writer : Contribute your writing skills to create engaging articles, book reviews, and interviews for Muna Kalati magazine, shaping the literary landscape and showcasing diverse voices. Social Media Manager : Help us expand our reach by managing our social media accounts, creating compelling content, and engaging with our followers to spread awareness about the importance of diverse children's literature. Workshop Facilitator : Organize and lead reading workshops for children and families, fostering literacy, cultural understanding, and a love for African and black children's books through interactive sessions. Translator : Utilize your language skills to translate articles, book reviews, and other written materials from English to other languages, ensuring that our resources are accessible to a broader audience. Graphic Designer/Illustrator : Showcase your creativity by designing visually appealing graphics, illustrations, and promotional materials that capture the essence of Muna Kalati's mission. Event Coordinator : Assist in organizing and coordinating our events, including book fairs, author talks, and workshops, to create memorable and impactful experiences for our audience. Fundraising Coordinator : Help us secure funding and sponsorship opportunities by researching grants, crafting proposals, and cultivating relationships with potential donors who share our vision. Editorial Assistant : Support our editorial process by proofreading, fact-checking, and organizing submissions to maintain the quality and accuracy of our publications. Researcher : Contribute your research skills to gather information on African children's literature, diverse authors, and relevant resources, aiding in the creation of a comprehensive database to support our mission. If you are passionate about promoting diverse children's literature, fostering cultural understanding, and improving literacy, we invite you to join us on this incredible journey. By volunteering with Muna Kalati, you will not only contribute to our cause but also gain valuable experience, expand your network, and make a lasting impact on the lives of children worldwide. How to Apply To apply, please send your CV and cover letter to programs@munakalati.org . We will review your application and get in touch with you to discuss potential opportunities. Thank you for your interest in volunteering with Muna Kalati. Together, let's empower young readers and build a brighter, more inclusive future through the power of books!

Welcome to the "One Sunday, One Family" Workshop, a unique and interactive program designed to bring families together through the power of nursery rhymes and cultural exploration. This workshop offers a practical application of nursery rhymes, enabling parents and children to bond, learn, and have fun in a supportive environment. Overview: The "One Sunday, One Family" Workshop is based on the concept of utilizing nursery rhymes to promote learning, creativity, and family engagement. Through a series of engaging activities and discussions, participants will discover the various benefits of nursery rhymes and how they can be integrated into family routines. Key Workshop Features: Cultural Exploration: Immerse your family in the rich cultural heritage of nursery rhymes. Discover African nursery rhymes that are not only entertaining but also provide opportunities to learn about wildlife, rhythm, and choreography. Explore the diverse themes and values embedded in these rhymes and their significance in different communities. Learning Through Play: Experience the power of play as a tool for learning. Engage in interactive nursery rhyme sessions where children can actively participate, learn choreography, and overcome shyness. Parents will learn effective strategies to support their child's learning and create a nurturing environment at home. Building Family Connections: Strengthen the bond between family members through shared experiences. Participate in group activities that encourage collaboration, communication, and teamwork. Engage in meaningful conversations about the importance of reading, storytelling, and cultural preservation. Practical Application: Gain practical insights and ideas for incorporating nursery rhymes into your family's daily routine. Learn how to make the most of nursery rhyme sessions by incorporating educational elements, such as naming animals, discussing themes, and encouraging creativity through songwriting and storytelling. How to Participate: To participate in the "One Sunday, One Family" Workshop, please visit the workshop page for detailed information on upcoming workshop dates, registration process, and any specific requirements. We encourage families of all backgrounds and ages to join us for this enriching and enjoyable experience. At Muna Kalati, we believe that nursery rhymes have the power to unite families and provide a foundation for learning and cultural appreciation. Join us in the "One Sunday, One Family" Workshop to create lasting memories and strengthen the bond with your loved ones.