Writer of the Month Each month, we spotlight one exceptional voice in our community whose writing stands out for its originality, clarity, and impact. Our Writer of the Month is someone who not only crafts compelling stories or articles but also sparks thought, dialogue, and inspiration among readers. This recognition goes to a writer who demonstrates creativity, consistency, and a deep passion for expression. Whether it's through powerful storytelling, insightful commentary, or innovative ideas, their words leave a lasting impression. Join us in celebrating this month's featured writer and their outstanding contribution to our platform. Read More

3D Texturing and Shading 3D Texturing and Shading GH₵ 1500 GH₵ 1310 Duration Software Time 1 month free Level 4 weeks 9-12am or 1 -4pm Substance Painter & Maya Mentorship Intermediate Register Now Bring your 3D Character to life in 8 weeks! Creating 3D textures for film, TV shows, or video games is an art form in its own right. Simply pulling assets from online stores and dropping them into a 3D scene isn’t enough in today’s competitive industry. You need fundamental art skills, and if you want to stand out from the crowd and present your skills to potential clients/employers, you need to create your art. This 3D texturing and rendering course teaches you how to create your own game or film ready textures from scratch. You will begin with the basics within Substance Painter and move on to texturing with provided 3D assets so you can focus solely on texture creation. We will also cover how to use library assets. This IS NOT a modelling or character animation course. For first time users of Substance, we go over all the basics of Substance Painter and a beginner level model for you to work with to learn the software. In addition, we demonstrate how we prepare our models by showing how we UV and export out for Substance Painter using Maya so the context of the production workflow in 3D texturing can be better understood. By the end of this course, you will have a strong understanding of 3D texturing with Substance Painter. WHAT YOU’LL LEARN Easily navigate the user interface of Substance Painter Importing 3D Models Bake maps with provided meshes for procedural texturing Add, Subtract and manipulate colour, roughness, metallic and emissive channels through masks and generators quickly Learn the fundamentals of Texturing workflow and pipeline from Maya to Substance Painter and back to Maya Setup a shader graph correctly with the suitable Colour spaces Light and render a final image or video (look development) SOFTWARE REQUIREMENTS The 3D Texturing and Rendering course requires either a trial or copy of Substance Painter 2020 or higher WHO THIS COURSE IS FOR? This course is for intermediate level users interested in learning Substance Painter and its texturing techniques for 3D assets for gaming and rendering or anyone aspiring to break into the gaming industry who wishes to learn the latest 3D art texturing techniques. COURSE OUTLINE INTRODUCTION TO PAINTER UI and introduction Scene navigation What are Layers Layer stack and blend modes Adding folders Paintbrush tool Creating straight lines A look at brushes Image projection tool Preview Polygon fill tool Symmetry Fill layers Painting on masks Fills on masks Emissive Effects Levels Filters Colour selection (from ID map) Generators Baking mesh maps Preparing id maps in Maya Anchor points Using and creating Smart materials – Smart masks Instantiating materials across texture sets PREPPING A GEOMETRY FOR SUBSTANCE PAINTER Geometry checks (UVs, Naming, Shaders, Groupings etc.) Project Directory Structure Exporting to Painter TEXTURING THE GEOMETRY Importing geometry into Painter Baking mesh maps and adding metal and leather materials Adding wood height map Preset materials Adding damage Texturing the geometry Baking the geometry mesh maps Glass shader Head height map Body height information Wheel height information Creating the main material Instantiating the material Texturing the body Adding weldings Texturing the wheel Emission and lens material RENDERING IN PAINTER Render Settings Depth of field Post Effects EXPORTING TEXTURES TO ARNOLD FOR MAYA Export Project Directory Structure Export Textures from Substance LIGHTING & RENDERING IN ARNOLD FOR MAYA Overview of rendering in Arnold for Maya Importing textures into the Maya scene Arnold aiStandard Surface material Setup Adjust Colourspace of Imported Textures Setting lights and camera Optimizing Render Settings Rendering for Image vs Video PROJECTS AND REEL DEVELOPMENT MENTORSHIP (4 weeks free)

In April 2017, Christian Elongué discovered a troubling gap: African children were reading foreign stories—stories about faraway places, foreign values, foreign children. They weren't seeing themselves. So he launched Muna Kalati (meaning "children's books" in Duala), a pan-African platform dedicated to one transformational goal: ensuring African children see African stories, African heroes, and African futures. About Us Vision Mission Traction Partners MK - Partners MK In the Media Team MK - Ambassadors Testimonials Work With Us Employee of the Month Contact us Programs Capacity Development MK Ambassadors MK Volunteers Advocacy MK Annual Reports MK Network MK Awards Knowledge Hub MK - News MK Annual Reports Magazines Events Kid's-Event Animators-Events Authors-Events Services Products Muna TV Media Kit MK App Blog Resources Muna Magazine MK Annual Reports MK Talks Media Kit MK Newsletter Network Experts database Research Report Muna Studio Services 3D animation Visual Effects Branding Live Action Video Motion Graphics Game AR & VR Character Design Training Consulting Strategy Request A Quote Pricing Muna Magazine Pay Donate Log In Menu Close About Us Vision Mission Traction Partners MK - Partners MK In the Media Team MK - Ambassadors Testimonials Work With Us Employee of the Month Contact us Programs Capacity Development MK Ambassadors MK Volunteers Advocacy MK Annual Reports MK Network MK Awards Knowledge Hub MK - News MK Annual Reports Magazines Events Kid's-Event Animators-Events Authors-Events Services Products Muna TV Media Kit MK App Blog Resources Muna Magazine MK Annual Reports MK Talks Media Kit MK Newsletter Network Experts database Research Report Muna Studio Services 3D animation Visual Effects Branding Live Action Video Motion Graphics Game AR & VR Character Design Training Consulting Strategy Request A Quote Pricing Muna Magazine Pay Donate In April 2017, Christian Elongué discovered a troubling gap: African children were reading foreign stories—stories about faraway places, foreign values, foreign children. They weren't seeing themselves. So he launched Muna Kalati (meaning "children's books" in Duala), a pan-African platform dedicated to one transformational goal: ensuring African children see African stories, African heroes, and African futures. The year 2019 was a pivotal period of growth and consolidation for Muna Kalati. We transitioned from a digital information platform to a fully-fledged pan-African association, significantly expanding our reach and impact. Our activities this year were centered on three strategic pillars: Information, Training, and Transformation. We made substantial progress in documenting the African children's book industry, launched critical field programs to instill a love of reading in children, and began influencing the ecosystem through research and advocacy. This report outlines our key achievements and the foundation we laid for future growth. This report captures what happens when you center African narratives and empower local creators. THE PROBLEM WE'RE SOLVING More children's books feature animals or white characters than Black, Latin American, or Asian children More children's books feature animals or white characters than Black, Latin American, or Asian children African children's literature is nearly invisible in Africa itself Publishers, authors, and illustrators in Africa lack visibility, community, and market access African children grow up disconnected from their own heritage, undervaluing their culture and identity. This feeds migration, low civic pride, and diminished economic opportunity for local creators. The Cost OUR THEORY OF CHANGE We believe that: Centering African narratives + Empowering local creators + Leveraging technology = Systemic transformation in African education for children → When children see themselves in books, they build identity and confidence. → When creators have platforms, they can earn, scale, and inspire. → When stakeholders collaborate, change becomes sustainable. Metric results Publications Produced 40+ articles & analyses Countries Covered 3 (Cameroon, Togo, Ghana) African Languages Represented 5+ (Twi, Yoruba, French, English, Duala) Network Subscribers 7,360 Website Visitors (Monthly Avg) 8,100 Children Impacted Indirectly 3,400+ Children Reached Directly 940 2019 AT A GLANCE WHAT WE DID IN 2019 PILLAR 1: INFORMATION — Making African Children's Literature Visible Digital Platform Launch In 2019, we solidified our position as the leading digital resource for African children's literature. Why it matters Before Muna Kalati, this information was scattered across the diaspora. Now, African educators, parents, and publishers have centralized access to their own industry. Our website now attracts 8,100 visitors weekly, featuring: In-depth interviews with authors, illustrators, and publishers. Critical analyses of the children's book publishing industry. Book reviews to guide parents, teachers, and librarians. Event coverage from across Africa Launch of Muna Kalati Magazine, establishing a dedicated channel for the latest news, critical analysis, and reviews of African children's books. This publication quickly became a reference point for writers, publishers, and illustrators. Groundbreaking Research Publication: Christian Elongué, our founder, authored and published "An Introduction to Children's Literature in Cameroon." This was the first-ever scientific book and comprehensive survey of the children's book industry in Cameroon, filling a critical gap in academic and industry knowledge. Content Production → 40+ original articles analyzing trends in African publishing → 5 quarterly magazine editions covering industry news, literacy initiatives, and book releases → Databases built for Cameroon, Ghana, Togo, and Benin Community Reach: 7,360+ subscribers receiving curated, culturally relevant content monthly. PILLAR 2: TRAINING & CAPACITY BUILDING — Empowering We moved beyond online advocacy to direct community intervention, launching two flagship programs. Launch of "Lecture Plaisir" (Reading for Pleasure) Workshops: We initiated these workshops in Cameroon and Togo during school vacations. Designed to stimulate a taste for reading through theatre, debates, and other engaging activities based on children's books, these workshops successfully introduced hundreds of children to African stories and imaginative worlds. 1,020 children participated across 8 editions → Children interacted directly with African authors, illustrators, and cultural activists → Participants reported 89% increase in reading engagement post-workshop Inauguration of "Lire Pour Guérir" (Reading for Healing) Program: Recognizing the therapeutic power of stories, we launched this initiative to provide bibliotherapy. The first edition was carried out, bringing books, educational resources, and joyful activities to vulnerable and hospitalized children in Cameroon, offering them comfort and a temporary escape. Community Impact: Families began requesting more African books. Schools noticed improved classroom participation from alumni. ATENUMAF Digital Skills Training: We organized the "Ateliers Numériques pour la Jeunesse Africaine" (ATENUMAF), providing hands-on digital skills training to nearly 940 young people in areas like computer graphics, web design, and STEM, empowering the next generation of creatives. Key Outcomes: 94% of participants reported improved digital confidence Participants now equipped to create, market, and monetize digital content Ripple effect: Many are now peer-trainers in their communities PILLAR 3: TRANSFORMATION — Changing Systems & Policies We focused on building the structures necessary for long-term, systemic change. Formalization as a Pan-African Association: Muna Kalati evolved from a project into a formal non-profit association, expanding its operational base from Cameroon and Togo to include Ghana, thereby strengthening its capacity to serve both Francophone and Anglophone Africa. Advisory Committee Formation: We established a robust Advisory Committee, bringing together esteemed professionals like illustrator Joël Ebouemé, writer Kidi Bebey, and publisher Akoss Ofori-Mensah to guide our strategy and growth. Building a Professional Network: We continued to build our network of children's book professionals—authors, publishers, librarians, and researchers—across the continent, facilitating collaboration and knowledge exchange. Support for Academic Research: We began our mission to support academia, providing resources and guidance to several researchers undertaking studies on African children's literature, laying the groundwork for future scholarly work in the field. Advocacy & Policy Influence Our founder participated in high-level discussions with government officials, education leaders, and cultural institutions across West Africa, advocating for: National policies on children's books Integration of African literature in school curricula Support for local publishers IBBY International Congress Participation Christian Elongué was invited to the International Board on Books for Young People Congress in Moscow, where he highlighted the urgent need for diversity in global children's literature and joined the IBBY Executive Board—positioning Muna Kalati as a global voice for African children's literature. This invitation legitimized our work internationally and opened doors for future partnerships. 4. Organizational Development Team Growth: We grew our team to include dedicated professionals working remotely across various countries, forming a truly "Afropolitan" team. Financial Sustainability: We maintained operational independence through crowdfunding and income-generating activities like training, ensuring we were not solely dependent on external grants. STORY 1: "I See Myself Now" The Child: Amara, age 8, from Dschang, Cameroon For five years, Kofi created children's books but couldn't find a publisher interested in his Afrocentric stories. His work remained in a drawer. Kofi discovered Muna Kalati through our online directory. He submitted his portfolio for inclusion on our platform. The Change: Within months, Kofi's work gained visibility through our website and magazine features. He connected with three regional publishers through our network. His first book is now in production. The Impact: Kofi now earns income from his art. More importantly, African children will soon read stories created by an African creator, set in Africa, reflecting African values. For five years, Kofi created children's books but couldn't find a publisher interested in his Afrocentric stories. His work remained in a drawer. Kofi discovered Muna Kalati through our online directory. He submitted his portfolio for inclusion on our platform. The Change: Within months, Kofi's work gained visibility through our website and magazine features. He connected with three regional publishers through our network. His first book is now in production. The Impact: Kofi now earns income from his art. More importantly, African children will soon read stories created by an African creator, set in Africa, reflecting African values. The Creator: Kofi, an illustrator and writer from Ghana STORY 2: "From Invisible to Published" STORY 3: "A Parent's Awakening" The Community: Togo's reading network Through our "Un Dimanche, Une Famille" (One Sunday, One Family) program, we reached 230+ children and their families with culturally relevant books and educational activities. Parents who'd never prioritized reading suddenly saw its value. One mother said: "I realized I was giving my children toys but not tools to build their minds." The Shift: Parents began requesting library cards, attending author events, and buying books for their homes—rebuilding a culture of reading in communities. DIRECT IMPACT Children: 940 youth trained in digital skills; 1,020 children in reading workshops; 230+ in family programs Total Direct Reach: 3,400+ children Creators: Increased visibility for authors, illustrators, and publishers through our platform and magazine Communities: 3 countries activated; 7,360+ subscribers in growing network INDIRECT IMPACT Through our publications, training, and advocacy work, we've influenced educational practices, publisher decisions, and family choices affecting tens of thousands more. LONG-TERM INDICATORS → Parents now actively seeking African children's books → Schools beginning to integrate African literature discussions → New collaborations forming between African publishers and education institutions → Young people equipped with digital skills to create and monetize content FINANCIAL STEWARDSHIP 2019 Budget Breakdown Program Development & Content: 45% Training & Workshop Delivery: 30% Platform Maintenance & Marketing: 15% Administrative & Operations: 10% Revenue Sources Individual donations & memberships Grants from cultural organizations Workshop fees (subsidized for low-income communities) In-kind donations from partners Sustainability Model: We prioritize earned income and crowdfunding over donor dependency. This ensures long-term independence and alignment with community needs. CHALLENGES & LESSONS LEARNED Challenge 1: Limited Reach in Rural Areas Reality: Most of our programming is concentrated in urban centers due to infrastructure constraints. Challenge 3: Funding Volatility Reality: Reliance on grants creates uncertainty in planning and scaling. Our Response: We're expanding digital-first programs (online workshops, downloadable resources) to reach remote communities in 2020. Our Strategy: Diversifying revenue streams through training services, magazine subscriptions, and merchandise sales. Challenge 2: Language Access Reality: Most African children's books are published in colonial languages (French, English). Our Action: We're actively documenting and promoting African language publications and advocating for bilingual editions. WHAT'S NEXT: 2020 & BEYOND The foundational work of 2019—from publishing seminal research to launching life-changing reading programs—has positioned Muna Kalati as an indispensable actor in the African literary landscape. We ended the year with a clear vision, a growing community, and a proven model for creating impact. In 2020 and beyond, we are committed to deepening this impact, expanding our programs, and continuing our advocacy for a world where every African child can see themselves in the books they read. Immediate Goals (2020) Expand to 5+ African countries Launch online training platform for accessibility Establish formal partnerships with 10+ schools and NGOs Publish first comprehensive study on African children's book industry Long-Term Vision (3–5 Years) Support 50+ African publishers to monetize content Influence national education policies in 10+ countries Become the leading reference for African children's literature Build a research center dedicated to African children's literature Create a sustainable marketplace connecting creators to consumers A MESSAGE FROM OUR FOUNDER "In 2019, we proved something powerful: when African children see themselves in books, they transform. When African creators have platforms, they thrive. And when communities invest in cultural literacy, entire societies begin to heal. But we can't do this alone. We need educators, publishers, parents, and policymakers who believe that African stories matter. Every contribution—financial, intellectual, or creative—brings us closer to a continent where reading is a lifestyle and African narratives are celebrated globally. Thank you for believing in this vision. Together, we're writing Africa's future. — Christian Elongué, Founder & Team Leader 2. Educators & Schools a. Integrate Muna Kalati resources into curricula. Host our workshops. Share feedback. 4. Communities a. Attend our events. Recommend us to families and schools. Share your stories. Funders & Donors a. Support our expansion into new countries, scaled training programs, and policy advocacy. 3. Authors & Publishers a. Submit your work. Collaborate with our network. Mentor emerging creators. 5. Volunteers a. Contribute your skills—writing, design, marketing, facilitation—to our mission. HOW YOU CAN HELP CLOSING REFLECTION This is not the end of a story—it's the beginning of a movement. In 2019, we planted seeds. In 2020 and beyond, we'll nurture them into a forest of African voices, African stories, and African futures. Because when children read their own reflection in a book, they don't just see a character—they see possibility. Let's keep building.

visual-effects-course Visual Effect GH₵ 2800 GH₵ 2456 Duration Software Time 1 month free Level 4 weeks After Effect 9-12am or 1-4pm Mentorship Intermediate Register Now Create Visual Effects for Film and TV in 8 weeks This class is appropriate for experienced users of After Effects and for those working or wishing to work in the video field. It is also suitable for After Effects users wishing to expand their skills in compositing and visual effects. This class covers the core concepts and skills necessary to excel in and visual effects, as well as advanced approaches and techniques. This syllabus is subject to change as necessary during the quarter. If a change occurs, it will be thoroughly addressed during class and sent via email. Upon successful completion of this course, students will be expected to analyze complex visual effects in movies and create workflows for the creation of basic visual effects. In this course students will create compositions applying motion and animated effects to media elements, create transparency in layers using mattes, masks, and stencils, animate objects in 3-D space, and much more. After taking this class students will be able to create visual effects for use in web video and podcasts, broadcast television, and even film. If you are a graphic professional who wants to enhance your compositing or you an experienced user, you will also benefit from the many tips and tricks and special exercises. Adobe After Effects is a powerful compositing software/tool for creating visual effects and doing post production work. You can use After Effects’ tools to create dynamic designs for broadcast and film. This course will help you master the concepts and features of visual effects using the program. It includes many advanced features, including tips and tricks. Course Outline Polygon Modeling Fundamentals Introduction to polygon modeling Selecting and modifying components (vertices, edges, faces) Extrusion, beveling, and subdivision Advanced Polygon Modeling Edge loops and edge flow Booleans and boolean operations Polygon modeling best practices UV Mapping and Texturing Understanding UV mapping Creating UV layouts Applying textures and materials Lighting in Maya Types of lights (point, spot, directional) Adjusting light attributes Creating realistic lighting setups Materials and Shading Introduction to Maya’s Hypershade Creating and applying materials Shader types (Lambert, Blinn, Phong) Rendering Setting up render settings Batch rendering and rendering options Post-processing and compositing Basic Animation Keyframes and animation curves Animation controllers Animation workflow Portfolio Development Students will work on a comprehensive project where they apply the skills they’ve learned throughout the course to model and render a complex 3D product. We will teach students how to showcase their work in a professional portfolio, including creating 3D product renders and presentations. Assessment Throughout the course, assess students’ progress through assignments, quizzes, and their final project. Provide certificates of completion for those who successfully finish the course. Business Info Reach Us Today East Legon, ARS, L52 Patan Gbe Ave, Adenta Municipality Call Us +233 55 015 7572 Email communication@munakalati.org

Game Development Intro Game Development Intro GH₵ 2456 GH₵ 2800 Duration Software Time 1 month free 9-12am or 1 -4pm Unreal Engine 5 8 weeks Mentorship Level Beginner Register Now Learn Game Development with Unreal Engine 5 in 8 weeks The Unreal Engine Game Development training course provides a comprehensive overview of game development with the powerful and versatile Unreal Engine. Students will learn how to create 3D environments, set up lighting and cameras, control characters through animation systems, build levels using blueprints and materials, add sound effects for interactive audio experiences. Additionally, they will gain an understanding of optimization techniques to ensure their games run smoothly on multiple platforms as well as explore ways to monetize their creations. This course is ideal for students who are interested in creating immersive gaming experiences with the latest technology available today! Course Outline Introduction To Storytelling Story Lecture: Once upon a time… Story is King Three parts of a great story (Introduction, Build up and Resolution) Storyboard Introduction To Acting What is acting? Playing a role Improvising with Voice and speech Continuity Body Mechanics Pantomiming Principles of Animation and Keyframing 12 Principles of Animation (Overshoot, anticipation, secondary motion etc) 2D planning process (sketch a basic storyboard) Paths of Actions Setting up basic keyframes Introduction to Timeline and range slider Animating simple objects (bouncing ball) Playblast for review Using graph editor to perfect motion Animating with physics: bouncing ball & obstacle course Homework – Students will practice the basic principles on simple objects Character Animation Getting inspiration from references Referencing a rig Creating Poses with emotion (face and body) Posing: Weak vs Strong Poses, Line of Action, Weight, Centre of Gravity, Balance Working in passes (block, spline & polish) Walk/run/jump cycle animation starting with the blocking pass Doing additional animation passes Polishing of walk/run/jump animation with a focus on the principles of animation Homework Student exercises include walk, run cycle and primary facial expression. Body Mechanics Getting inspiration from references Weight, Centre of Gravity, Balance Working in passes (blocking and splining) Doing additional animation passes Bi-pedal character movement Basic Quad-pedal or four legged movement Homework Student exercises include Heavy Lift, walking and running Pantomiming Fine tuning your acting Overlapping actions Offset body parts Acting through pantomime Dealing with intense physical action shots with Weight pushes, pulls and lifts Facial Acting and Lip Sync Making the right acting choices Facial Animation Lip synchronization techniques Student to act or choose a reference shot (12 seconds or less) for their portfolio Polishing Tuning your shots Working with continuity across cuts Planning and blocking process for a substantial length of dialog Improve believability and appeal Portfolio And Reel Development What is Portfolio vs Reel? Project – Student must work on their character project for their reel and final assessment. Putting It All Together/Work Day using Premiere Pro or any simple editing software Adding Sound Effects and music Finishing and exporting the final 12 sec video Instructors will review the finished piece for their portfolio, and students will be graded. Project, Mentorship and Assessment Instructors will review and grade the finished piece for their portfolio Final viewing party: Kick back, relax, and watch student reel Our Partners We are partners with reputable organizations who have invested deeply in our creative talents. Our Partners We are partners with reputable organizations who have invested deeply in our creative talents. Our Partners We are partners with reputable organizations who have invested deeply in our creative talents. Our Partners We are partners with reputable organizations who have invested deeply in our creative talents. Our Partners We are partners with reputable organizations who have invested deeply in our creative talents.

Explore our services and get in touch Our Services 01. Custom Project We specialize in crafting bespoke solutions tailored precisely to your unique requirements. Our approach involves deep collaboration to ensure every aspect of the project aligns perfectly with your objectives, delivering unparalleled results. This service is ideal for tackling specific and complex challenges with dedicated expertise. Show more 02. Personal Solution Planning Get a clear roadmap designed around your individual needs and aspirations. We engage in detailed discussions to understand your situation thoroughly and map out step-by-step strategies for success. This service ensures a personalized approach to achieve your specific goals effectively. Show more 03. Expert Guidance Package Leverage our deep industry knowledge and strategic insights to navigate your toughest questions. This package offers comprehensive advice and recommendations to help you make informed decisions and overcome obstacles. Gain clarity and confidence with expert perspectives tailored to your situation. Show more

Visual Effects Most visual effects in Hollywood movies are done with computer-generated imagery (CGI). It is possible to replace natural life objects and humans with realistic 3D Animation with the help of CGI, which unlocks a new world of possibilities in creating characters, background settings, and special effects in movies. Have you ever wondered how modern blockbusters look so realistic, despite having scenes filmed on a green screen? In the past 20 years, technology has advanced to make animations look almost lifelike. 3D Animation is why you can watch the Avengers movies and feel immersed. "If you can envision it, we can bring it to life onscreen!" We push the Creative Envelope During the pre-production and production stages, a VFX Producer works with a Director to guide how to achieve the desired VFX. Depending on the complexity of the VFX, additional expertise may be needed for the shoot. When necessary, a VFX Supervisor can be on-set with the Director and Cinematographer to oversee live-action shooting and ensure that the shots are satisfactory for the VFX elements to be added in post-production. Our VFX artists push the limits of what is possible creatively and technically at the most competitive costs. We can handle your VFX needs, whether you require a single VFX shot, the complete post-production of your video, composition, Animation, matte painting, cleanups, set extension or environment creation. We cater primarily to the VFX needs of the advertising, entertainment, media industry, gaming and science and technology industries. View other services We create VFX for Film, TV and Online Standing at the forefront of this dynamic and visually compelling arena, Visual Effects (VFX) has become more crucial. VFX and compositing have helped businesses successfully entice, engage, and reach their target audience in ways never before imagined. At Muna Studio, we offer professional VFX and compositing services built to suit our clients’ needs. We are experienced in dealing with large resolution plates and can cater to many projects. Our VFX services include particle effects, compositing, colour corrections, digital matte painting, concept designs, shot stabilisation, 3D dynamics, natural phenomena, Computer Generated (CG) animation, rotoscopy, motion tracking, logos, and titles. We deliver spectacular sequences across a spectrum of visual effects. We provide best-in-class service with a team of highly skilled professionals leveraging high-end tools and technologies. Your Trusted Creative African Ally At Muna Studio, our team can help with many VFX services such as: Compositing – We combine visual elements from different sources to create the illusion that all those elements are a part of the same scene. It involves integrating digital assets / CGI elements with live-action footage, the compositor is the last step in the VFX process, laying together all the various elements to make them appear seamless. Keying – Keying is a special compositing effect that happens when we take a part of a video and make it transparent. We can choose this part of the video based on colour, luminance or even a mask. When we choose the video part to be made transparent based on colour, this is known as Chroma Keying. Digital Matte Painting (DMP) – We integrate still photography, CGI, and digital paintings that serve as background plates for 3D characters, particle effects, digital sets, and backgrounds to create realistic environments. DMP introduces elements to create a new landscape that you couldn’t shoot or want to enhance. Let’s Bring Imagination To Life Modelling – We create 3D models of props or characters with specialised software Animation – We assign movements for objects and characters in 2D or 3D Clean Up – The removal of unwanted elements in the frame. These could be objects, people or other items Wire removal – A technique used to remove wires usually put in place during filming Rotoscoping – The process of cutting out elements from the frame (usually one frame by frame) so that they can be used as a separate entity Set Extensions – A skill that often goes hand in hand with Matte Painting, set extension elevates the production value by extending the set beyond what was filmed to make it seem larger Beauty/Skin Retouching – Our artists can work on intricate beauty work, whether creating a clearer complexion, removing bags under the eyes or blemishes to enhance the talents’ natural beauty We Support The VFX Pipeline If you are looking for a company to tell your story using visual effects (VFX), you can rely on us to do that for you. We will intimately work with you on your vision – characters, creatures, environments, and more! We can help you build the world that you’ve dreamt up. Our post-production team are always happy to answer any questions you may have regarding work at our VFX studio and how you can utilise it in your production. Compositing Rotoscoping Green/Blue Screen Keying Matchmove Digital Matte Painting Object Tracking Silhouette Splines Cleanups 2D, Planar, 3D Tracking Recreate Missing Objects Rig/Wire/Object Removals VFX Supervision on SetVFX Supervision on Set 1. CREATIVE DESIGN This stage is where an idea goes through a process of exploration. We’ll help you flesh out the rest if you can provide at least the basic concept. To establish a creative direction, we will research and gather references (i.e. links, similar videos, or examples). We will develop and review a Creative Treatment and Moodboard. Once you are happy with the Treatment and Moodboards, we will proceed to the Pre-Production stage. 2. PRE-PRODUCTION The pre-production stage comes before full-scale production begins. The first step is to develop a script/copy or screenplay. Assets such as concept art, design briefs, storyboards, and animatics are created during this stage to formally define the direction and the overall vision of a project. Sometimes a guide voiceover is recorded and merged with animatics to get a sense of the timing and flow of the project. It is easy and quick to make most changes during the pre-production stage. It also includes previsualization. 3. PRODUCTION As the name suggests, this is the stage in the pipeline where full-scale production of digital assets (such as 3D objects/models) are created based on the art that was conceptualised during the pre-production stage while ensuring that it adheres to the established art direction. Some of these assets include characters, props, and environments, and these models are created using several different 3D software such as Maya or Blender. Changes can be costly during the production stage, so it is essential to get the pre-production right. The steps in this stage typically include the following: Layout Sculpting Modelling UV, Texturing & Shading Rigging Record Voiceover Animation VFX/Simulation Lighting & Rendering 4. POST-PRODUCTION Post is the final stage in the production pipeline. Compositing involves taking the render images from the previous stage and either tweaking them or combining them with additional pictures or layers to create a more complex, cohesive composition. Motion Graphics may be required, for example, titles, opening montages, captions, and logo reveals. Video editing is the manipulation and arrangement of video shots, and it is used to structure and present all video information into a flow or story. Colour grading improves the appearance of an image for presentation in different environments on different devices. Sound design is recording, acquiring, manipulating, or generating audio elements to ensure the film or video is memorable. Mixing takes what should already be a precise performance of the creator’s and director’s original idea and brings it as close as possible to the point where everyone can agree that it’s the sound and feel they want. Mastering address the video as a whole to add consistency to its overall feeling, optimising levels through compression and limiting and finalising the track order. 5. DELIVERY Here we’ll have a number of reviews from the previs aka Draft/pre-rendered Cut to fully rendered versions, taking in as much feedback as possible from all stakeholders. If stated in your initial brief, we will also help you output for DStv, social media, TV, radio and other formats. Want to create something beautiful together? Let’s get started! What is the Process ? It all starts with an idea or a brief. We follow a proven production pipeline with a team of up to 30 professionals that set us apart from the competition in Nigeria. From mesmerising moodboards to character design, you are in good hands. Let’s help you visualise it. Below is a summary of the various stages of the production process, from idea to delivery. Let's get started! Get a free consultation today. Call or email us. Click here to email us!

Contact Deciding which course to pick as a beginner or switching courses or careers might be difficult. Notwithstanding, there’s nothing to worry about; reach out to us, and we would be happy to offer personalised suggestions on the best digital skills or training for you! Contact us First name Last name Email* Phone Message* Submit

Cinematography Course Cinematography GH₵ 2800 GH₵ 2456 Duration Software Time 9-12am or 1 -4pm 8 weeks 1 month free Mentorship Premiere + Camera Level Beginner Register Now Become a Director of Photography in 6 weeks If you have interest in film then this course is for you. This is also for anyone who want to shoot better with their camera or make money by shooting videos. It is also for those who want to enhance their video production skills. In this course, students will develop skills and knowledge in cinematography which explores the art of visual storytelling and provides a firm overview of the technical foundation on how to effectively use the camera, lighting, and other tools to convey your message. Course Outline Introduction To Storytelling Story Lecture: Once upon a time… Story is King Three parts of a great story (Introduction, Build up and Resolution) Storyboard Introduction To Acting What is acting? Playing a role Improvising with Voice and speech Continuity Body Mechanics Pantomiming Principles of Animation and Keyframing 12 Principles of Animation (Overshoot, anticipation, secondary motion etc) 2D planning process (sketch a basic storyboard) Paths of Actions Setting up basic keyframes Introduction to Timeline and range slider Animating simple objects (bouncing ball) Playblast for review Using graph editor to perfect motion Animating with physics: bouncing ball & obstacle course Homework – Students will practice the basic principles on simple objects Character Animation Getting inspiration from references Referencing a rig Creating Poses with emotion (face and body) Posing: Weak vs Strong Poses, Line of Action, Weight, Centre of Gravity, Balance Working in passes (block, spline & polish) Walk/run/jump cycle animation starting with the blocking pass Doing additional animation passes Polishing of walk/run/jump animation with a focus on the principles of animation Homework Student exercises include walk, run cycle and primary facial expression. Body Mechanics Getting inspiration from references Weight, Centre of Gravity, Balance Working in passes (blocking and splining) Doing additional animation passes Bi-pedal character movement Basic Quad-pedal or four legged movement Homework Student exercises include Heavy Lift, walking and running Pantomiming Fine tuning your acting Overlapping actions Offset body parts Acting through pantomime Dealing with intense physical action shots with Weight pushes, pulls and lifts Facial Acting and Lip Sync Making the right acting choices Facial Animation Lip synchronization techniques Student to act or choose a reference shot (12 seconds or less) for their portfolio Polishing Tuning your shots Working with continuity across cuts Planning and blocking process for a substantial length of dialog Improve believability and appeal Portfolio And Reel Development What is Portfolio vs Reel? Project – Student must work on their character project for their reel and final assessment. Putting It All Together/Work Day using Premiere Pro or any simple editing software Adding Sound Effects and music Finishing and exporting the final 12 sec video Instructors will review the finished piece for their portfolio, and students will be graded. Project, Mentorship and Assessment Instructors will review and grade the finished piece for their portfolio Final viewing party: Kick back, relax, and watch student reel Our Partners We are partners with reputable organizations who have invested deeply in our creative talents. Our Partners We are partners with reputable organizations who have invested deeply in our creative talents. Our Partners We are partners with reputable organizations who have invested deeply in our creative talents.

Country report on the state of children's book in the Gambia The Gambia has a rich cultural heritage and a growing literary scene. The country has produced notable writers and storytellers who have contributed to the field of children’s literature. Storytelling formed the major aspect of the Gambian children’s literature because it is part of oral tradition. Read more Children's Literature in Ghana The promotion and teaching of reading for children in Ghana are influenced by various sociocultural, economic, and political factors. The sociocultural factors include the diversity of languages, cultures, and religions in the country, which affect the availability and acceptability of books for different groups of children. Read more Children's Literature in Liberia This analysis focuses on the database of children’s books developed by Muna Kalati for Liberia. This is part of a wider research project aimed at gathering and examining data on children’s books in eight African nations: Nigeria, Liberia, Sierra Leone, The Gambia, Cameroon, Senegal, Guinea Conakry, and Togo. Read more Children's Book Industry in Nigeria The landscape of children’s literature in Nigeria reflects a rich and diverse history of storytelling, creativity, and educational value. Nigerian children’s literature refers to the body of literature that is written about children, for children, or those that are within the interest range of children in Africa (Ngwuchukwu, 2010). Read more APERÇU DE L’ÉDITION JEUNESSE AU SÉNÉGAL Ce rapport d’étude présente les acteurs de la littérature de jeunesse au Sénégal. Il permet d’avoir un aperçu des tendances et des caractéristiques des livres pour enfants dans le pays, y compris les principaux acteurs au niveau de la création, production, distribution et consommation du livre jeunesse dans le pays. Read more french Un Aperçu De La Litterature Jeunesse en Guinée Conakry Notre aventure heuristique sur la question de la littérature de jeunesse nous a conduit en Guinée. Cette recherche est soutenue par le programme de subvention Google News Initiative et vise à fournir une vue d’ensemble de l’état de la littérature pour enfants sur le continent africain. Read more french Un Aperçu De La Litterature Jeunesse en côte d’ivoire Le programme de subvention Google News Initiative nous permet d’explorer l’état de la littérature pour enfants et de jeunesse en Côte d’Ivoire. L’analyse de la base de données des œuvres jeunesse de ce pays nous donne un aperçu des tendances et des caractéristiques des livres pour enfants dans le pays, y compris la distribution géographique, l’impact de l’édition entre autres. Read more french Regard analytique sur l’édition jeunesse au Bénin Cette analyse est centrée sur la base de données des livres pour enfants au Bénin et fait partie d’une initiative de recherche plus large visant à collecter et analyser des données sur les livres pour enfants dans huit pays africains, dont le Bénin. La recherche est partiellement soutenue par le programme de subventions Google News Initiative et vise à fournir une vue d’ensemble de l’état de la littérature pour enfants sur le continent africain Read more french

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